
Television
Sterling K. Brown Gives Paradise Its Edge
Paradise is a mystery-thriller set in a small town where nothing is as it seems—because of course it isn’t. Paradise leans heavily into the whodunnit formula, with each episode peeling back another layer of intrigue, introducing new suspects, and keeping the tension just taut enough to keep you pressing “next episode
© Disney+
Roy Batty
18 maart 2025
The problem? We’ve seen this structure before.. and done better.
Now, about that episode one ending—don’t worry, I’m not spoiling it—but let’s just say the show tips its hand early in a twist that tries to be clever but feels more like a hook to keep you watching than a well-earned revelation. A strong opening, shadowy secrets, and then... a bit of narrative drift.
But the thing is, despite the show’s uneven writing and familiar setup, it’s fun. Pure, uncomplicated, “let’s see where this goes” fun. There’s something about a classic mystery that still works, even when the execution isn’t top tier. The pacing is solid, the mood is atmospheric enough, and the characters—well, that’s where the series gets its edge.
Sterling K. Brown holds the centre here with calm authority. His performance is solid as you believe him, even when the script doesn’t give him much to work with. Watching him in Paradise reminded me why I loved him so much in American Fiction—his timing, his restraint, even in the most banal scenes. Here, he pulls it off, giving the show a steady core amidst the chaos.
Julianne Nicholson is a highlight. She’s been turning in solid work for years, and here she slots perfectly into the world of Paradise without overplaying it. Never flashy, but always precise. Her character is undeniably annoying, yet she portrays it with such skill that it enhanced the show for me.
As for the supporting cast, it’s a mixed bag. Some manage to hold their own (Nicole Brydon Bloom, Aliyah Mastin) and there are a few well-cast town locals who add flavour without becoming too much of a caricature. It’s a shame as the show often feels like it’s riding on the coattails of its two leads, while the rest of the cast struggles to make an impression.
Still, it’s ok that Paradise doesn’t aim too high. The dialogue is serviceable, but rarely sharp. The plot, while engaging, relies on genre tropes rather than trying to subvert them. You’re not going to get True Detective-level writing here. You’re getting a stylish, pulpy mystery that wants you to play along and guess the killer. Sometimes that’s enough.
So, should you watch Paradise? If you’re in the mood for a mystery that doesn’t require too much investment and you enjoy watching great actors rise above the material, it’s a safe bet. Just don’t expect any narrative miracles
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